It’s midnight and I’m not sure whether it’s every writer’s dream or every writer’s nightmare, but the little writer’s voice is babbling details about the family tree for the characters in my screenplay.
On one hand, I am a little annoyed because it is a “school night” and I have a busy work day planned for tomorrow. On the other hand, with the heartbreak of writer’s block going on around the world, I really can’t complain when my own writer’s voice is in overdrive with ideas.
I grab a pen and a pad (tucked neatly in my nightstand for just such a literary emergency) and I start sketching out the ideas as they come to me.
Given that this is my first screenplay, this is all new to me, but if it’s anything like my process for writing blog posts, this probably won’t be a linear process from start to end.
The main characters start identifying themselves to me. Then, the main sources of tension between the characters form a neatly bulleted list. The resulting struggles are identified and even the desired end result becomes crystal clear to me.
Now… how do we get from “once upon a time” to “and they lived happily ever after”, while hitting all those marks along the way? Continue reading
Throughout life, I have often considered myself a late bloomer, but never more so than now in discovering the joy of index cards. Yes, index cards!
With the little writer’s voice in my head constantly pitching ideas to me, the challenge has always been to find the means to capture those ideas IMMEDIATELY.
I can usually juggle a handful of random ideas for about half an hour until I can get to a screen or a piece of paper to jot them down. But beyond that, I run the same risk as the cartoon dog from the movie “Up!” because the moment I’m distracted by a “Squirrel!” the idea could be gone forever.
Sometimes an idea might just fizzle out on its own, or sometimes it might grow into a mighty oak in the form of a blog post, a screenplay or even a novel, but the key is to capture that idea in order to see what comes of it.
To do that, I do my best to capture them all. Figuring out the best vehicle to capture the ideas has been the tricky part. Continue reading
How would you explain the sensations and feelings of creativity? Here are some points of reference I would suggest:
1. When I was a kid, my parents had a multi-band radio that, in addition to AM and FM, it had “short wave” and “marine band”. I fondly remember hours spent slowly turning the tuner knob with the attention to detail of a safe cracker, listening to what distant channels I could get on a clear day when there was little interference. When I am feeling at my most creative and my instincts seem to be at their sharpest, it is like tuning in to a station and discovering a channel transmitting from hundreds of miles away and picking up a very clear signal.
2. When I am creating art and the elements of the project start coming together, for me, it’s like the rush I used to get in school, when I would be writing an exam and somehow knew all the answers off the top of my head. It is a sense of being on auto-pilot, when the words are coming but you aren’t quite sure where they are coming from, but it feels right nonetheless.
3. When trying to fall asleep and the little creative voice keep pitching ideas at me, feelings come over me ranging from frustration and irritation that the little voice won’t go to sleep, but also excitement and delight when I am able to get the ideas all transcribed and saved preciously for another day.
4. Time stands still and time flies by… at the same time. Continue reading
If there is one thing that puts me in a writing “analysis paralysis”, it’s to be editing a first draft at the same time as I am writing it. What seems to work for me is to metaphorically send the “editor” part of my brain away to another room in the house and to let the creative writer in me just do his thing.
The first draft is that time when I feel completely free, knowing that the incompatible elements will drop off later if they are not meant to be. But the critical first step is to get those ideas on paper and to not break the flow.
Even in business, suspending judgement is a key ground rule for a great brainstorming session. In writing, I like to think that this translates to leaving the editor’s hat alone until a solid foundation of ideas is established.
Only then is it realistic to determine whether ideas are viable, to rearrange the order in which the ideas are presented and finding the best ways to articulate them.
Viability of ideas
With my blog, there have been times that I thought I had a dynamite idea for a blog topic, but after a few writing sessions, I found out that the idea lost momentum or fizzled out after 300 words. Most times, I would park it to see if other ideas might hit me later, but when they don’t, it may just end up in the graveyard of blog posts. The topic still seemed like a good idea in my head, but after trying to work through it on paper, it didn’t quite make it. Continue reading